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一直(🕕)作為米路斯．科曼(🐽)劇本鐵三角（另一位是帕(pà )培錫，也(yě )是(shì )本片(piàn )編劇之一）成員的艾(ài )雲．(🍖)巴(bā )薩，當(🐮)然也走低度戲劇路線(🎲)。同是音樂家的彼(🚤)德與卡洛老友重逢，生(🛍)活狀(🕖)況大(dà )(👁)不(bú )同，你(nǐ )有(yǒu )伴侶我有(🚥)家庭，然而都有說(shuō )(🗑)不(😚)出(chū )的不明朗(🚸)，唯(wéi )有(yǒu )以(🥀)酒(🕕)與音(yīn )(😱)樂(🐖)代(dài )(🤷)替(tì )口水(shuǐ )(⏺)。全(quán )片(📎)推展不問(🥁)目的，只在剎(😞)那間的意圖，行行企企(qǐ )比起(qǐ )科曼更(gèng )義無反(fǎn )顧(🏂)，卻有生(shēng )(🌞)活淡如(rú )流(liú )水的(de )詩(⛓)意和(hé )繆思，叫(jiào )觀眾聯想到(dào )(🚻)二十年(⛳)後的伊力．(🏯)盧馬。巴薩鍾愛音樂(🤖)的程(🕯)度(dù )(🌮)不(bú )(👣)下於文字和(💝)電影，古典音(yīn )樂(🛎)與民間(jiān )(🐾)音樂於全片迴轉(🌹)迴盪，難怪成了奇斯洛夫斯基十大心(🔈)愛電影之(zhī )一。 康城影展青(qīng )年(💏)評(píng )審團獎，美(měi )國全國影評(píng )人(🏴)協會(huì )特別獎 這(🖍)部1966年的珍品，是捷克新浪潮(👗)短暫生(shēng )(🚻)命中最(🐂)佳(jiā )作品之一(🧘)。成(🤼)名(míng )音樂(✖)家到(dào )小鎮(zhèn )探(🚤)訪舊同學，舊同(🈺)學(xué )是個窮音樂教(🔬)師，有時(shí )在喪禮上吹奏樂曲。平凡(fán )的素材在巴素手裡(lǐ )，變出(📯)風趣(qù )復罕見的旋律(lǜ )，一(yī )部憂鬱的喜劇，或(🕌)灰色喜劇。 - Dave Kehr, Chicago Reader (🔂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (👪) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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